Pastor Dave Goes to Washington

 “Pastor Dave Goes to Washington”


A Review of God’s Not Dead: In God We Trust by Nick Olszyk


Distribution Service: Theatrical 

MPAA Rating, PG

CNS Rating, Not Rated at the Time of this Review

Reel Rating, Two Reels              


God’s Not Dead, one of cinema’s modern masterpieces, is the 15th most profitable movie ever made. Although this accomplishment remains untainted, it spawned a franchise that has proven much less successful in both quality and profitability, yet still retains the original’s apologetic and cultural pluckiness. In God We Trust, the fifth adventure in this series, continues the trend as our fearless protagonist Pastor Dave (David A.R. White) runs for office to take on the proud and godless. It’s not objectively terrible but will do little outside comforting the already faithful. 

The last film We the People ended ambiguously on whether Pastor Dave would be allowed to keep his home school program, but it must have worked out well because we never discover what happened. Now he faces activist Congressman Kane (Ray Wise) who wants to remove church groups entirely from the public sphere. “Religious faith,” he insists, “has no place in politics.” It’s unclear what exactly this means beyond church organizations no longer being able to participate in federally funded programs like adoption agencies, school supply drives, or even homeless shelters. Dave makes the difficult decision to run for Kane’s seat and is immediately thrown headfirst into the grimy world of politics. He wants to run a clean campaign, but his manager Lottie (Samarie Armstrong) wants to dig up dirt on Kane. It doesn’t help that Kane’s right-hand man was once Lottie’s lecherous ex-boyfriend. This leads to lots of preachy soliloquies, dramatic close-ups, and the assurance that no matter what happens God will win the day. 

There is a hard truth behind the often-silly dialogue: there are real forces in the political world that believe even the most remote connection to religiosity is automatically suspect. Democratic nominee Kamala Harris once tried to disqualify a judge because he belonged to the Knights of Columbus. Christopher Hitchens went even further, suggesting that religion was “like knitting,” a nice hobby but dangerous when used to run society or give life meaning. Practically, this means non-believers can make policy decisions according to their beliefs, but Christians cannot. This is even more ridiculous when one looks at the perspective of the Founding Fathers. Not only were all of them Christians, but all thirteen original state constitutions required a statement of faith in Jesus as a qualification for office; all but one even required civil servants to be Protestant. They understood our rights came from God, not the state. This is the only way to protect them outside oppressive forces.

This important point does come across, but the film seems more interested in exposing the corruption inherent in politics through the eyes of an innocent like Capra’s classic Mr. Smith Goes to Washington. When Lottie discovers evidence of Kane’s possible campaign fraud, Dave refuses to reveal it. When Lottie goes behind him and releases the documents anyway, it turns out to be a false setup by Kane himself, making Dave look desperate, immoral, and – worst of all – a hypocrite. Smart money would have Dave drop out or at least fire Lottie. Instead, he takes Jesus’ advice that “the truth will set you free,” and hosts a press conference where he lays everything on the table. It doesn’t quite redeem his campaign but keeps it alive long enough to reach a television debate with Kane where he destroys every strawman and accusation the politician throws his way. 

In God We Trust is equally infuriating and comforting as Christians around the country can identify with Dave’s difficulties. However, where the themes succeed, the cinematic artistry is sadly underwhelming. Like its predecessors, it contains long, preachy sermons that quickly run dry. It is also strangely reliant on television exposition; nearly every five minutes, Dave looks up from his desk to see a fake cable news channel explain some tidbit of necessary information. The original film was criticized for its cartoonish stereotypes of aggressive atheists. This critique was unfounded, but there’s a decent argument here for overexaggeration, not just of the villains but the heroes as well. 

There’s little doubt In God We Trust was made with the 2024 election in mind, not to stump for Trump or hold for Harris but encourage Christians to become invested in the policies that govern their lives. A final credit line announces that 15 million Christians citizens are not even registered to vote. It’s true that the government of the United States is not the Kingdom of Heaven, but, as SG Dorothy Day famous quipped, “a good society can make it easy to do good.” Christians built this nation, have served her well for over two centuries, and can lead her into a better future – if we have the will to act. 

This article first appeared in Catholic World Report on September 12th, 2024.

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