Fingerprints of God

 

“Fingerprints of God”

A Review of The Story of Everything by Nick Olszyk

 

Distribution Service: Theatrical  

MPAA Rating, Not rated at the time of this review

OSV Rating, Not rated at the time of this review

Reel Rating, Four Reels                  

 

            The Catholic Church has always understood, going all the way back to St. Paul’s sermon in Athens, that reason alone is sufficient to know the existence of the divine. Even without the direct revelation of God, His fingerprints are all over this world. The Story of Everything is an excellent new documentary that highlights these natural glimpses of God from the astoundingly big to the imperceptibly microscopic. I’m sure atheists, especially those raised on TikTok arguments, will find rebuttals, but it’s hard not to deny the power of the film’s beauty, grace, and joy.

            The film starts with the origins of reality, demonstrating that 1) our best evidence shows the Universe had a definitive beginning, and 2) that this beginning necessitates a creator. Even outlandish models like bubble universes, mirror universes, or multiverses still require an ultimate starting point. It then moves on to the fine-tuning argument; the Earth is perfectly aligned to allow life and humans to arise. If any natural law or placement of the cosmos was off to the smallest degree, we wouldn’t be here or would have died a long time ago. The films progresses to the advent of life, which again seems impossible to have generated itself. Finally, it does a deep dive into the structure of DNA and proteins, which is perfectly designed to create the unique characteristics of an individual person. Every step is not just a well-structured argument but a gift of love by a God who wanted man to use his reason to find Him.

            Like many documentaries of this type, the arguments are illustrated through talking heads, archival footage, and graphic images. Yet, the imagery in this production is far more sophisticated than usual. The animation used to illustrate how proteins fold and DNA replicates is strikingly beautiful and clearly demonstrates that a creative force is at work. This kind of intimate nuance on the molecular level is something that can’t be seen with an ordinary microscope but can be appreciated through good CGI.

            Whether one is observing the immensity of the whole Universe or the particles inside an atom, everything is perfectly designed. There are many who disagree with this philosophy, but no human truly lives the atheistic worldview. When a person tries to catch a dropped pen or do quick math to make sure there are less than 15 items for the express lane in the supermarket, he is assuming the Universe is intelligible and that his brain correctly processes information. No one doubts cause and effect. The Story of Everything shows this with striking clarity.

             To the film’s great credit, it never once mentions anything about “religion,” although many of the speakers are familiar to a Christian audience. This is a production that could just as easily serve the needs of a Muslim, Hindu, or questioning deist. Yet at the same time, there is a sense of invitation. If this amazing Universe is marinated in God’s meaning and purpose, what is my response? This is the greater question. Now that I have arrived at the knowledge of God, what is our relationship? Here Christianity has a ready answer. It’s not so much the “Story of Everything,” but how “all things” leads to Christ who is our “everything.”

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