God’s Not Dead, but the Franchise Is


Pastor Dave and his friend from a better movie
“God’s Not Dead, but the Franchise Is”
A Review of God’s Not Dead: A Light in the Darkness by Nick Olszyk

MPAA Rating, PG
CNS Rating, Not rated at the time of this review
Reel Rating, Two and One Half Reels          

God’s Not Dead: A Light in the Darkness is the third installment in the most successful independent Christian franchise of all time, and it begins immediately where the previous film left off. As Grace was victorious in her free speech court case, Pastor Dave Hill (actor and PureFlix founder David A.R. White) faces imminent disaster as he refuses to comply with a court order to submit copies of his sermons for legal review. If this sounds too Orwellian for a democratic society, it’s actually based on a real case. What follows is more of a character study than an apologetic treatise like the first two films. The result is a movie that in some ways is more courageous in tackling the practical difficulties of living in a country that is becoming aggressively anti-Christian yet the solutions seem more in line with Scorsese’s recent film Silence than C.S. Lewis or Billy Graham. It’s not an overly defeatist picture but, frankly, a poor choice for the Easter season.  
Pastor Dave finds himself in prison for his act of civil disobedience, but soon Christian social media and Fox News shed a light on his plight, which pressures a higher court to release him. Only five minutes into the narrative, this is the high point of the film. Embarrassed by the whole debacle, the university looks for a way to kick him off campus. His parish, St. James Church (denomination not mentioned), was the main place of worship before the university converted from a private to public institution many decades earlier. His claim of its historic as well as spiritual importance is waning as students begin to protest the church, claiming Dave is a bigot for insisting that Jesus is the only way to salvation.
The university’s president Thomas Ellsworth (Ted McGinley) uses an eminent domain claim to force Dave to sell the parish to the board so they can raze it and build a student union. Dave enrolls his estranged brother and civil rights attorney Pierce (John Corbett) to sue the university and save the church. Things quickly escalate as a divided community protests on either side. Soon Ellsworth and his family are receiving death threats and the church itself becomes a victim of arson, killing the visiting associate pastor from Uganda.
David A.R. White finally finds a role worthy of his decades of work in the independent film industry. His acting work, even in the previous films of this franchise, has been spotty, but here he brings one of the best performances of the year. While Pastor Dave is firm in his conviction to save St. James, he also has a strong desire to make peace. Ellsworth is an old friend, and he hates that they have been put in this situation. He is often conflicted and admits he isn’t sure what to do. Corbett equally does an amazing job as an agnostic, sarcastic, worldly foil to his righteous brother. There’s a lot of pain in their mutual past that set them off in different directions with strong echoes of the prodigal siblings. Their conversations are deep and meaningful without the hokeyness that plagues many Christian themed productions.
The media has recently jumped on Pope Francis’ latest “quote of the day” about the importance for young people to speak out:

The temptation to silence young people has always existed. There are many ways to silence young people and make them invisible. There are many ways to sedate them, to keep them from getting involved, to make their dreams flat and dreary, petty and plaintive. You have it in you to shout even if we older people and leaders, very often corrupt, keep quiet.” – March 25th, 2018

God’s Not Dead 3 has jumped on this bandwagon as well, highlighting the frustration and social media action of several college students, none of whom has the gumption or piety of Josh in the first film. “You spend so much time telling us what the Church is against,” laments one post-millennial, “but what is the Church for?” When pastor Dave discovers who killed his friend and has a momentary lapse in judgement, attacking the twentysomething, his friends are quick to jump in with cell cameras rather than bandages, and you can bet the university is only too happy to exploit the situation. As a high school teacher, of course I want my students to get involved in the world around them and inquire about their place in life. Yet, there are not yet fully formed humans and need the guiding hand of just authority, not the pretentious entitlement the world offers.
            Many, many cinematic critics – in and outside Christianity – criticized this series for being too triumphant, and unfortunately the filmmakers listened. When faced with the worst opposition of the series, Pastor Dave – like the Israelites in the desert –  seems to forget his previous successes and takes a new route. He agrees to drop the lawsuit and sell the Church to university which promises to allow Christian students to continue to meet and worship in a center at the future Student Union. In a dramatic ending, he and Ellsworth stand together, passing out candles to protestors and supporters alike. Instead of preaching Jesus Christ, he tells them the lighted candles represent their shared values of “peace, hope, and love.”
This action “works” in the sense that it brings protests to an end and even gets the college students to praise Pastor Dave on their periscope accounts. Yet, what good is Ellsworth promise? Even if the students can meet, their generic grey cubicle will be squished between an LGBT dating service and the Rastafarian relief fund, just one of many equally bland organizations. This same discussion is happening not in China, where the Communist government seems poised to appoint Catholic bishops with the full support of the Vatican, ignoring Nostis et Nobiscum and centuries of martyrs. Pastor Dave defends himself saying “the people are the Church, not the building.” It is true that this world is not the Kingdom but that souls that are in it are. Of Pastor Dave’s three options: legal success, legal failure, or compromise, this was the worst.
The whole of the Christian world is celebrating the Easter season where “Christ has risen from the dead and grants life to those in the tombs.” Considering this historical fact, why is Pastor Dave so afraid? Why are teenagers so conflicted? We don’t have to win; the battle has already been won. It is understandable to desire peace and limit persecution but never at the risk of watering down the gospel. God’s Not Dead is a masterpiece of world cinema. God’s Not Dead 2 was decent and enjoyable. God’s Not Dead: A Light in the Darkness had real potential but went out with a whimper. What a sad way to end a franchise.

This article first appeared in Catholic World Report on March 29th, 2018.

Comments