Wildstyle and Emmet |
“Sibling
Rivalry”
A Review of The LEGO Movie 2: The Second Part by
Nick Olszyk
MPAA Rating, PG
USCCB Rating, A-I
Reel Rating, Four Reels
The
original LEGO Movie shocked the world
in its ability to make a movie out of a toy brand that was 1) actually funny
and 2) pretty darn heartwarming. Like Toy
Story or The Incredibles, it was
a tough act to follow, but fortunately it succeeds…sort of. The story, plot,
and overall execution of this sequel was not nearly as sophisticated yet
succeeded wildly in the most important element: creating a Universe that felt
like it was designed by a twelve-year-old boy fighting for dominance with his
eight-year-old sister – something that is relatable to many.
The
story begins immediately where the last film ended as Bricksburg was invaded by
Dublo creatures from the sister of “the Man Upstairs.” Things go from bad to
worse and five years later Bricksburg is a desolate wasteland now dubbed
Apocalypseburg, populated by dirt, sand, and Mad Max inspired vehicles. Our hero Emmet (Chris Pratt) remains as
optimistic as ever, insisting “everything is awesome” and even recently built a
house with a literal white picket fence for him and his girlfriend Lucy
(Elizabeth Banks). His outlook becomes dimmed slightly when Lucy is kidnapped
by an alien from the Sistar System. With only his positive attitude and potted
plant to help him, he rockets off to save her in an adventure that involves
dinosaurs with lasers, a song that is way too catchy for its own good,
exploding hearts, Batman in Elton John getup, and a shapeshifting queen who
insists she isn’t starting the end of the world. It’s just another day in the
imagination of a pretty cool kid.
This
film occupies several genres but does well in one of the most difficult:
parody. Unfortunately, the “feature length parody film” is a lost art with most
modern examples like Scary Movie, Meet the Spartans, and Epic Movie being absolute trash. Yet
those that do succeed such as Airplane!
and Spaceballs inevitably become
beloved classics. The goal of parody is to highlight great literature through
imitation and humor. 90s garage band Nirvana said they knew they “made it”
after Weird Al lampooned one of their songs. Oddly enough, this tradition has
strong Biblical roots. The book of Jonah constantly upends expectations by showing
pagans repenting while the prophet of God is spiteful and disobedient. Jesus
himself is constantly mocking the hypocrisy of the religious authorities in
humorous ways. Throughout this sequel, there are constant references to other
works of literature and popular culture. My personal favorite is how the evil
queen convinces Batman to marry her by playing off his rivalry with Superman.
I
must be honest and say this film does carry a bit of basis as Legos were a
favorite toy of mine in the past, but that would describe most males my age.
Thus, I can state with some authority that this film brilliantly captures the
spirit of Lego creation. Flouting the instructions, children will frequently go
off script to create things from their own design. Thus, it is perfectly
understandable that Emmet would reshape his dream home into a “dream home
spaceship” adding rocket jets but keeping the picket fence. It’s also natural
to put grenade launchers on raptors or that a Lego head could keep talking
without a body.
While
the tone is pitch perfect, the story is weaker than the original film but still
manages to connect all pieces. The struggle between Emmet and the queen of the
Sistar System mirrors the real fighting between a brother and sister, whose
mutual Lego destruction threatens to bring about Momaggeddon. To avoid
punishment and confiscation of their toys, the unnamed siblings have to find a
way to play together. It’s a “nice” moral but feels tacked on rather than
organic.
Films
like are unjustly labeled “escapist,” as if such a term is an insult. Yet such
a term has also been used by contemporaries to describe Casablanca, The Adventures of
Robin Rood, or other movies now considered great art. Only time will tell
if The LEGO Movie 2 will join these
titles, but even if it doesn’t, it will find a lasting place in my collection.
This article first appeared in Catholic World Report on Feb. 17th, 2019.
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