The Margins of Existence

 

“The Margins of Existence”

A Review of Little House on the Prairie by Nick Olszyk

 

Distribution Service: Netflix

FCC Rating, TV-PG

OSV Rating, Not rated at the time of this review

Reel Rating, Four Reels                   

 

            I was vaguely aware of Little House book series as a child, but it was for girls and I was expected to read Hardy Boys or My Side of the Mountain. My perception of the series was a boring recounting of making straw dolls, braiding hair, and churning butter. I was wrong, pleasantly so. Instead, this story, in an excellent Netflix adaptation, weaves a daring tale of a family on the margins of existence, where life is a daily struggle and truth impossible to ignore. It’s a blessed life, and one not too far removed from us, but one few modern men would endure.

            The first episode begins in1868 shortly after the end of the civil war. Charles Ingalls (Luke Brace), lured by free land and the chance to start over, moves his family from rural Wisconsin to the frontier prairie of Kansas. Accompanying him is his faithful wife Caroline (Crosby Fitzgerald), once a teacher and whose family is not fond of Charles. They have two daughters: Mary (Skywalker Hughes), the older, more sophisticated one and Laura (Alice Halsey), the younger, more inquisitive child and our protagonist.  They have only two horses, a dog, a wagon of supplies, and a dream. Even before they arrive in the tiny town of Independence, an accident ruins most of their food, and their dog is lost. Things don’t get much better in the next few months. There’s sickness, betrayal, violence, natural disasters, sibling angst, and, worst of all, the “free land” might not be available.

            When Laura, the autobiographical author of these books, died, my father was already in elementary school. Chronologically, it was not that long ago, but it was light years in terms of day-to-day existence. The Ingalls had to make, grow, catch, or discover everything they had. Charles builds their log cabin from scratch, and the family sleeps in tents every night until it is built. Water must be drawn and boiled from a stream every day. Although only nine, Laura provides food for family by catching rabbits and picking berries. It is a life lived in small moments where even basic necessities are never guaranteed. Paradoxically, the Ingalls are pleasant, well adjusted, and mostly happy. They never believe they are poor and frequently express gratitude. There is no governmental system or social media to shield them from the truth or give unreasonable expectations. It is a life that is truly “blessed” in the Biblical sense of the term, a life that is still available to modern man but most fear.

            Throughout the series, many themes are explored but gradually the relationship between the local Osage tribe and the settlers becomes the main focus. It would be easy to paint these natives as violent and primitive as was common when the book was published in the 1930s. More likely, there is a temptation today to portray them as noble and the victims of cruel oppression. Instead, Little House does an amazing job showing this relationship as nuanced and empathetic to both sides, a history full of saints and sinners.

This plot line is primarily told through Mitchell (Meegwun Fairbrother), the translator and liaison between the Osage elders and the Mayor of Independence. They are facing an intense decision between holding out on their reservation (which they were already forced to inhabit decades earlier) or selling their land to the government. Mitchell believes that as the settlers keep coming, they should profit from the inevitable. Younger warriors are less certain. One brutally invades the Ingalls home while Charles is away and takes much of their food and belongings, fortunately leaving the women…unhurt. When Mitchell confronts the youth, he is indignant. “They are on our land,” he hisses, “They hunt our game, eat our berries, I’m only taking what is ours.” “Does this help us?” Mitchell responds, “Is this right?” Part of the problem is that Mitchell and his family has embraced Christianity and understands the value of “loving your enemy.” He is easily the best character in the first season, whose genuine desire to honor the past of his people but also their future makes for a thrilling story arc.

There are many fantastic twists and turns throughout the series including Charles guilt over sitting out the Civil War and the town doctor facing a new romance while still technically married, and I don’t want to spoil much, except to say that for every great victory, a terrible defeat is right around the corner. In the end, however, faith in God and love of family will always triumph, a lesson that doesn’t come easy but makes a small heaven on Earth. I wasn’t crazy to review this series, but now I can’t wait to watch the 2nd season with my whole family.

           This article first appeared in Catholic World Report on July 12th, 2026.

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