Fantastic Beasts and Not Much Else

American wizards in Fantastic Beasts
“Fantastic Beasts and Not Much Else”
A Review of Fantastic Beasts and Where to Find Them by Nick Olszyk

MPAA Rating, PG-13
USCCB Rating, A-II
Reel Rating, Three Reels             

            “What works well as a spice often does not work well as a main course.”
 – Omar Ebbs

            Fantastic Beasts and Where to Find Them is an absolute mess. A gorgeous, thoroughly entertaining mess but a mess nonetheless. It has a vivid imagination with some of the best costumes, sets, and visual effects of any film this year, but its story is confusing and often contrived with the added weight of several even more muddled subplots. Many spinoffs simply don’t have enough weight to stand on their own two feet, and this is no exception.
            The movie is based on a textbook of the same name in J.K. Rowling’s Harry Potter universe and the exploits of its author, Newt Scamander (Eddie Redmayne). It is the first in an over bloated five film series. This is made even more crazy by the fact the book is mere 128 page – a feat even the producers of The Hobbit couldn’t pull off. Newt has come from Britain to America in the 1920s with a suitcase full of strange creatures to release a thunderbird back into the wilds of Arizona. Of course, many of these animals get loose in New York City. Newt, along with several companions, must round them up before they do too much damage. Additionally, there are not one but two villains on the loose, an evil wizard and a weird ball of grey goo called an Obscurus. Additionally, there is a subplot about a romance between a witch and a nomaj (American muggle) – which is, of course, prohibited in backwards pre 60s United States. Additionally, there is a group of witch hunters trying to convince a newspaper magnate that a magical world exists and needs to be destroyed. If this all sounds terribly confusing, it’s because it is. The story goes in many directions at once and leaves plenty unexplained.
            Yet despite these problems, director David Yates manages to get one thing right – the fantastical creatures that fill the pages of the source materials and the imaginations of elementary school children. Some of these animals are quite clever, like kleptomaniac platypus whose pouch seems to be able to hold more than Mary Poppins’ carpet bag. Others are pretty stupid, like the rhinoceros, whose horn is glowing because she’s in heat. These delights have no connection to reality and help dissolve any lingering problems wary parents have about Harry Potter’s supposed pagan connections, even despite a passing but strange reference to the pentagram. This is pure fantasy with no real religious connotations in mind. There aren’t even any dragons, so even Michael O’Brian should be happy.
            Yet when Newt isn’t chasing invisible sloths, there is real trouble brewing between magical and non-magical worlds. Similar to Rowling’s previous works, the idea of being ostracized or “different” takes center stage. Mary Lou Barebone (Samantha Morton) leads the New Salem Philanthropic Society, a Westboro Baptist type organization devoted to killing witches yet harbors several within its ranks. They get orphans to hand out leaflets in exchange for small amounts of food. The Magical Congress works hard to keep the magical world hidden from prying eyes. Yet when wizards suppress their magical abilities, it creates a powerful black entity – the Obscurus – that can destroy whole buildings and seems impervious to spells. It’s not made clear whether the Obscurus is a person or just a force, but in either case is clearly meant to be a metaphor for the “dangers” of suppressing the passions and true identity. Such a message, while not completely inaccurate, is easily manipulated to give credibility to homosexuality or transgenderism. A much better illustration of the same theme is the forbidden relationship between Kowalski, a nomaj baker, and Queenie, a cute flapper with a slightly disturbing ability. Played by Dan Fogler and Alison Sudol, they are adorable and far more interesting than any of the other characters.

            Ultimately, Fantastic Beasts works because it’s just so darn entertaining. Rich and vivid, every scene is filled with remarkable sights and sounds. The problem is the humans, magic and non alike, who occupy this world and bring darkness wherever they go. Newt seems to have figured this out a long time ago, preferring the company of his creatures and even refusing to look people in the face when speaking to them. Hopefully, through people like Queenie and Kowalski, he will learn to see the goodness in humanity. I bet he will. He has another four movies after all. 

This article first appeared in Catholic World Report on November 25th, 2016.