Lightning McQueen and Jackson Storm |
“The
New but not Improved Cars 2”
A Review of Cars 3 by
Nick Olszyk
MPAA Rating, G
USCCB Rating, A-I
Reel Rating, Two Reels
The
original Cars was beloved by fans and
a majority of critics; Cars 2 – to
put it mildly – was not.
After an amazing first trailer, the good folks at Pixar seemed intent on
revitalizing the franchise with a different kind of story, but it turns out
this story is weaker that either of its predecessors and completely out of its
element. The cars of Radiator Springs have had a good run, but it’s time to
retire from the track.
Long
after his famous rookie season, Lightning McQueen (Owen Wilson) is now a racing
veteran with several Piston Cups under his belt. He takes all this in stride
until a new rookie named Jackson Storm (Armie Hammer) easily beats him and rubs
it in his face. Storm is part of a new breed of “high technology” cars that run
on simulators instead of dirt roads, measure resistance in wind tunnels, and
use endless other streams of data to get the upper edge. Think Moneyball for NASCAR. Other cars start
using his methods and soon Lightning is the only of his kind left. On the last
race of the season, he has a terrible crash and loses the Piston Cup for the
first time in years. Despite being pushed to retire by his new sponsor, he
decides to give it one last shot. “You can’t be faster than Storm,” one friend
tells him, “but you can be smarter.” With the help of two mentors – the young
trainer Cruz Ramirez (Cristela Alonzo) and Doc’s former crew chief Smokey
(Chris Cooper) – Lightning may have a chance. All that’s missing is a drive up
the steps of the Philadelphia Museum of Art.
The
story of an older has-been going up against the new hotshot is one of the great
staples of sports from Rocky to King of Kong. Whether it’s “one last
ride” from Dom or winning “just one” for the Gipper, almost everyone loves an
underdog story. Yet it’s hard to imagine an elementary school kid identifying
with Lightning’s dilemma. I’ve never seen a sixth grader reminisce about his
glory years of spelling bee fame until that snot-nosed third grade prodigy came
along. Pixar has always pushed the
boundaries of children’s entertainment, but they have finally gone too far.
Cars 3 not only relies heavily on a
story foreign to its target audience but also nostalgia for the past, including
its own franchise. Lightning constantly refers to Doc Hudson all the time, even
having imaginary conversations with his old boss. When he finds Smokey, the pick-up
truck is at a bar full of old racers long past their prime. Even the younger
cars like Cruz and Storm talk about their childhoods when they watched
Lightning race and longed to be like him. There is even a closing scene for
Rusty and Dusty – Lightning’s old sponsors played by the Magliozzi brothers of
car talk fame. Hearing Tom and Ray say “don’t drive like my brother” one last
time made me weep uncontrollably.
Children
see change all around them, but when a person is young, they never think it will
happen to them. Sooner or later, however, mortality catches up on everyone, and
I suppose there are worse ways to teach that lesson than a brightly colored
movie about talking vehicles. Change cannot be stopped, but it can be dealt
with effectively. Rather than follow a road he cannot travel, Lightning turns
his attention on Cruz and becomes her mentor. She is able to use both her own
technological savvy and his old-school wisdom to win the big race. Everyone –
young or old – has something to contribute. In the end, Lightening is able to
get something better than another Piston Cup. He becomes a surrogate father to
Cruz, just like Doc was a surrogate to him.
All
this fuss over the Piston Cup, Doc, and rookie racers is an attempt by Pixar to
completely redirect the series away from Cars
2. Indeed, the filmmakers seem bent on erasing the film from the canon.
There is no mention of anything from the sequel, not even Holly Shiftwell –
Mater’s spy girlfriend. Indeed, despite saving the world from a criminal mastermind,
Mater lives alone on the impound lot by himself. I was in the minority of
critics who loved Cars 2 mostly
because it expanded the universe of the franchise; we even got to see a Pope
car (officially Pope Piston IV according to the plastic figure on my desk). The
only scene in Cars 3 that really
worked was the demolition derby with the tripped-out school bus precisely because
it continued this creative spirit. Mostly, Cars
3 shifted into reverse and added nothing to the series except aging and
eventual death. Really, Cars 3 is
just a new Cars 2 – a direct sequel
to the original that ignores its superior predecessor. There was no need for
this embarrassment, Cars 2 was just
fine. Cars 3 is less so.
This article first appeared in Catholic World Report on June 23rd, 2017.
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