“Project
Popcorn”
A Review of Project Popcorn by Nick Olszyk
Superheroes Jamie Foxx and Joseph Gordon-Levitt |
Year: 2020
FCC Rating, TV-MA
CSM Rating, NR
Reel Rating, Two Reels
In the past few years, Netflix has been vigorously
pursuing the genre of hard sci-fi/ fantasy with pictures like Bright and Birdbox. Now comes Project Power, an R rated
mashup of superhero and crime drama tropes. It does a decent job of checking
off the necessary elements: big name actors, complicated actions scenes, blending
gritty realism with high end special effects, and trying in some vague way to
speak to the tensions of the times. Project
Power is certainly entertaining in
how it proceeds with its narrative but does little else.
In a near future New
Orleans, a mysterious underground organization begins to push a free drug to
dealers around the city. This new substance dubbed “Power,” which retails $500
a pill, gives the user a unique superpower for five minutes. Unfortunately, the
user is never sure what ability he will get until it enters his system. Some
fly. Others get superstrength. A few blow up. I’m assuming no refunds. Since
the drug was distributed through the black market, it makes sense that most addicts
use it for crime. Invisible men rob banks. Perverts use X-ray vision. Police
Officer Shaver (Joseph Gordon-Levitt) uses the drug, claiming it ”levels the
playing field” in his attempt to thwart super criminals. Through a series of
mishaps, he meets Art (Jamie Foxx), an ex-soldier who has a connection to the original
source of Power. Together,they will expose the creators’ true intentions and bring
peace to the city.
It must be said on the
outset that like Netflix’s previous efforts in this genre, Project Power is a ton of fun. The action scenes are brilliantly directed and insanely
entertaining. Every time someone chugs a pill, one can never be sure what will
happen. My favorite scene involved Art chasing a man made of magma. The perp
falls through floor after floor as he sets fire to everything he touches, like
a pyro King Midas. As a
wildfire burns out of control just a few miles from my door and keeps me inside,
such excitement was a welcome distraction.
Being a great popcorn
flick, however, is about all this film has going for it. The narrative is standard
and predictable, drawing from fears of inside government conspiracies. While
the acting is above average, the dialogue and writing continues to be the weakest
elements of these films. Like Bright, the film occasionally tries to bounce off
cultural ideas, like police adopting criminal elements to defeat criminals, but
these themes are never fully explored and lost in a messy mythology that
becomes more and more confusing as the film progresses.
One benefit of R-rated
superhero fare is that it allows the public to see why the reality of
superheroes would be messy and ultimately undesirable. Probably the best series
to address this issue is Amazon Prime’s The Boys, but it is too
graphic and offensive to be efficacious. There is a reason God created a predictable
natural order and only rarely permits supernational actions. Humans would not
be able to handle these powers appropriately. Mankind has not proven it can
handle even ordinary abilities without sin, forbidding angelic gifts is
ultimately in man’s best interest. God gives natural laws to encourage
community effort and humility. It also makes genuine miracles proof of His glory.
Project Power is a fun movie, and, frankly, we need that kind of film. It doesn’t advance any social agenda or demand direct action against any group of people. I love movies that are just good guys vs. bad guys, and the good guys win. I can watch Challenger: The Final Flight, Unwell, or The Social Dilemma when I don’t have to worry about evacuating.
This article first appeared in Catholic World Report on September 27th, 2020.
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