Jesus Meets the Hippies

 

“Jesus Meets the Hippies”

A Review of Jesus Revolution by Nick Olszyk

 

Distribution Service: Theatrical

MPAA Rating, PG-13

USCCB Rating, Not rated at the time of this review

Reel Rating, Four Reels             

                 

                  The Jesus Movement might be little known by my generation, but this cultural landmark was highly influential for Protestant Christianity in the late 20th century. The Christian Post even called it “the greatest spiritual awakening in American history.” Like many other social experiments, it burns brightly at first, high on its emotional appeal and novelty, yet in the background, reality is waiting. Jesus Revolution certainly revels in the highs but also has the courage to examine the fallout, hoping this will make something lasting – and it does.

                  Jesus Revolution starts in the summer of love and follows two interconnecting threads. The first features high school cartoonist Greg (Joel Courtney) who leaves a prestigious military academy to join an artsy school in pursuit of his future wife Cathie (Anna Barlow). Together, they fully embrace the counterculture, descending rapidly into a vortex of drugs, sitar music, and bell bottoms. Meanwhile, Chuck Smith (Kelsey Grammar) is a 50-something pastor of a dying church. His daughter Janette (Ally Ioannides) believes he is out of touch with the world. “Well,” he responds gruffly. “If you find a hippie, bring him home. I’ll talk to him.” Janette accepts the offer, introducing him to Lonnie Frisbee (Jonathan Roumie), both a recent convert to Christianity and former citizen of Haight-Ashbury.

                  Lonnie, who deliberately grew out his hair and threw away his shoes to look like Jesus, believes young people are desperate for God but “looking in all the wrong places.” He wants to create a place where flower children can express their desire for peace and community in a Christian context. Intrigued, Chuck reinvents his church as Calvary Chapel, enticing the youth with folk music, powerful testimonials, and large communal baptisms on the beach. Greg and Cathie, wounded by the world, find a love and peace there that LSD could never give them. Soon Greg is leading his own Bible study and will eventually become one of the most successful evangelists in American history.

                  Watching this movement fifty years later, it’s tempting to dismiss the Jesus movement as reckless and felting. So much of the early enthusiasm was wrapped up in naïve emotion which is ultimately unsustainable. Like Jesus’ parable of the good soil, many loose their way quickly. Some drop out as soon as the high is over. Others – most notably Lonnie – believe themselves unique instruments of divine power. “This would be nothing without me,” he yells at one critic. Fortunately, he has the good sense to back off and work on his own issues. Otherwise, he could’ve easily turned Calvary Chapel into another People’s Temple. Greg and Cathie also have an argument that threatens to split them apart, but their relationship is saved by humility and forgiveness. Mainstream Protestantism may have lacked good communication and flexibility, but it also provided the structure needed to continue through difficulties.

                  Jesus Revolution never touches on Catholicism, but the Jesus movement certainly influenced the Church in America. It seemed perfectly timed to fit with 2nd Vatican Council and the Novus Ordo. My own parents, married in 1979, had both Woody Guthrie guitar music and four-part hymns in Old Church Slavonic at their wedding. These innovations had both positive and negative effects which are still being worked out to this very day. Yet this should not cause alarm. Historically, it takes around a century for a major council to fully settle comfortably into the faithful. Christ has promised us “the gates of the Netherworld will never prevail.”

                  Revolutions come and go, but Jesus always remains. As a work of cinema, Jesus Revolution has a compelling story with fantastic acting. Jonathan Roumie didn’t even need to change makeup from his previous job. The picture demonstrates when the focus is on Jesus, then our efforts will be affectious, long after we – or our movements – have gone.

                 

Comments